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Continue reading →: quote, forward, vilem flusser, philosophy of languageFlusser never subordinates the other media to language, and so allows the bodily move- ment of images, sounds, shapes and textures to approach the world in parallel with language, without language’s tendency to reduce the particular to the universal, the unique to the general. Sean cubit, in Philosophy of Language,…
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Continue reading →: dora garcia, “to protect us from the truth”, fiction as method, 172What is truth? Consider the following idea: the significance of a statement does not depend on its correspondence with reality or its truth or falsehood, but rather on the effect the statement has, what this statement does, what this statement produces. Since this idea was proposed in 1962 by J.…
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j. g. ballard, crash, 4-9
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Continue reading →: j. g. ballard, crash, 4-9in a world ruled by fictions of every kind – mass merchandising, advertising, politics conducted as a branch of advertising, the pre-empting of any original response to experience by the television screen. We live inside an enormous novel. It is now less and less necessary for the writer to invent…
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fiction as method, 35
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Continue reading →: fiction as method, 35the power of fiction as a method could be seen as creating new meshworks involving diverse semiotic forms. Fiction thrives as a process that is synthetic in the sense that it gathers into its orbit a number of agents that progressively fill out its content. Indeed this is the very…
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Continue reading →: fiction as method, 29It is no longer a case of establishing the truth about post-truth, or of cleaving fiction from fact, but making tangible the idea that truth and fiction are dynamic concepts that are both produced and productive.
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Continue reading →: science in the modern world, 11Every philosophy is tinged with the coloring of some secret imaginative background, which never emerges explicitly into it’s trains of reasoning. Whitehead, Alfred North, Science in the Modern World., 11.
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Continue reading →: from fiction as method, 24.Where the expert seeks to reduce the surplus of knowledge and would thus reduce profitable volatility-fiction turns toward the unknown without seeking to legislate or capitalize on its relation to the knowable; indeed, fiction precisely encourages the impact of the unknown as unknown on the known and its persistence therein.…
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Continue reading →: thought on the image/visionWe tend to refuse the image or the vision because of the letter. How unfortunate, since the letter is often, if not always, a post reflection of the event in it and of itself. We should be careful to not reify the letter and destroy the event, which requires the…
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georges bataille, inner experience, 5
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Continue reading →: georges bataille, inner experience, 5If poetry introduces the strange, it does so by means of the familiar. The poetic is the familiar dissolving into the strange, and ourselves with it. It never dispossesses us entirely, for the words, the images (once dissolved) are charged with emotions already experienced, attached to objects which link them…




